Daniel Zalewski looks at the origins of Guillermo del Toro’s most notable creatures, and follows the evolution of their design from notebook sketches to their onscreen depiction.
Read Daniel Zalewski’s full article on Guillermo del Toro here
The tea should be strong. For a pot holding a quart, if you are going to fill it nearly to the brim, six heaped teaspoons would be about right...
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The thing about new blooms is that they tend to bleed— / Those petals birthed / hugging close / that come warmer weather are tricked into jumping away...
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I spent a good part of my childhood at home staring outside my bedroom window, following the trail of planes approaching the nearby Paris airport in the sky from my banlieue. I envied the passengers...
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