Berfrois

April 2013

Ridin’

Ridin’

by Justin E. H. Smith The apocryphal story of Phyllis and Aristotle is captivating for a number of reasons. For one thing, it recalls for us a period in the history of culture in which philosophy, and philosophers, were implicated not just in elite disputation, but also in popular...

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Work It

Work It

Work, Ford Maddox Brown, 1852–1865 by David Palumbo-Liu In its March 2013 issue, The Atlantic ran a tersely titled article, “Anthropology, Inc.” The author, Graeme Wood, spoke about a market research company (ReD) that was hiring anthropology PhDs to use their training in social science field work to dreg up...

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Dylan J. Montanari on Michael Fried

Dylan J. Montanari on Michael Fried

Readers of contemporary art criticism may have come across the following story about Michael Fried. Fellow critic Rosalind Krauss was with Fried at a show in the early 1960s when someone confronted him about a Frank Stella painting. “What’s so good about that?” the challenger asked. According to Krauss,...

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Ironoffspring

Ironoffspring

Margaret Thatcher, illustrated by Gerald Scarfe From The Guardian: When I was a kid, Thatcher was the headmistress of our country. Her voice, a bellicose yawn, somehow both boring and boring – I could ignore the content but the intent drilled its way in. She became leader of the...

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A Swigswag

A Swigswag

by Joe Linker “The idea that everyone has a story to tell (which underlies the notion that anyone can write since all a writer needs is a story) is strictly correct,” Jenny Diski said, writing in the London Review of Books (7 Mar, 21) about Marco Roth’s memoir, The...

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Impressions are the very air we breathe…

Impressions are the very air we breathe…

I should not have affixed so comprehensive a title to these few remarks, necessarily wanting in any completeness, upon a subject the full consideration of which would carry us far, did I not seem to discover a pretext for my temerity in the interesting pamphlet lately published under this...

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Often, standing in front of paintings Jenny Diski wonders what it is she is supposed to be feeling…

Often, standing in front of paintings Jenny Diski wonders what it is she is supposed to be feeling…

From Midnight in Paris, Sony Pictures Classics, 2011 by Jenny Diski There is a picture in the Fitzwilliam Museum in Cambridge, where I live, called The Annunciation. I keep a postcard of it in my writing room, and visit the actual painting from time to time. A winged and...

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Russia’s ’68?

Russia’s ’68?

From Voina to Bykov, Pussy Riot to Moscow hipsterism, culture seems to be playing a very political game in Russia. How can we explain this? Is this something that Russia has seen before? Are we witnessing this Russia’s ‘1968’ moment? And if so, is accompanied by the same kind...

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What to do?

What to do?

Spring Breakers, A24, 2013 From The Chronicle Review: Everyone from Plato and Thomas More to H.G. Wells and Barack Obama has given thought to the question of the fair distribution of labor and fun within a society. This comes with an immediate risk: Too often, the “realist” rap against...

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Climbing Up to the Moon

Climbing Up to the Moon

Isn’t it strange how complex and overwhelming our feelings about fictional people can become? There is a conflict of impulses: the sympathetic and the dramatic. We want characters to be happy for the same reason we want our friends and family to be happy – hell, I’m such a...

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