Colin Raff proceeds into the biotic sculpture room

The Physical Impossibility of Death in the Mind of Someone Living, Damien Hirst, 1991 From The Believer: When I’ve gone to the Met to study the early Italian works that Berenson loved and appraised, I’ve often wandered into other parts of the museum, and gradually a looping chain of...

Remember this: Thurston Moore came to New York City to be a poet. Tired of driving his old man’s Volkswagen down from Connecticut, it was Gotham Book Mart, not CBGB, that convinced him to make the move in 1977. Bohemia had put down roots on the Lower East Side;...

Harpo Marx by Paul Elliott There is an intriguing but seemingly insignificant aside in Jacques Lacan’s Seminar VII: The Ethics of Psychoanalysis concerning the face of one of American cinema’s iconic figures: It is enough to evoke a face which is familiar to every one of you, that terrible dumb brother...

Perhaps no star’s luminosity glows murkier than Dylan’s in his interviews. Louis Menand, in “Bob on Bob: Dylan Talks” (New Yorker, 4 Sep 2006), a review of Jonathan Cott’s Bob Dylan: The Essential Interviews, comments on the absurdity of taking any Dylan interview as a gospel light.

by Masha Tupitsyn I cannot lie. I love 80s Madonna, mainly because that period of her music scores my childhood. It’s the only Madonna I like. When I was a little girl I acted and looked like a little boy. It was the first way I knew how to...

I've appreciated Aleksandr Sokurov since the 1990s, but it was, I think, with his 2003 Father and Son that he first began to seem genuinely puzzling to me. This film, not at all Turgenevian, portrayed two men apparently of the same age, posing in various intimate positions with one...

From London Review of Books: Before the Second World War, American composers went to Europe. That was the way of the ‘boulangerie’, the group including Aaron Copland who studied with Nadia Boulanger in Paris. After the war, though, they began to take seriously Charles Ives’s declaration that ‘we have...

From Poetry: “That elk is such a dick,” Robbins writes in his title poem. “He’s a space tree/making a ski and a little foam chiropractor.” “Your tribe’s Doritos are infested with a stegosaur,” he notes elsewhere. “That Forever 21 used to be a Virgin Megastore.” Often he invites us...

In a deleted take from The Wizard of Oz posted on YouTube, Judy/Dorothy breaks down during her iconic song. She doesn't sing "Somewhere Over The Rainbow," she weeps it. Did they want her to cry like this? Did they push her too hard, for too long, for too many...

The Occident is currently experiencing a massive import of hybridised cultural products from the Korean peninsula. This phenomenon, known as the Korean wave or hallyu, refers to the global rise of South Korean entertainment such as feature films and television shows.

The 90s happened, man. I was there. I saw the mohawks on twelve-year olds being carried on their punk parents' shoulders. I rode in old cars while my friends snorted rids in the back seat, and I got delivered to crowded Warped Tours and saw bands my big sister...

Throughout his career, but especially in writings from the 1950s gathered together as the essay “The Evolution of the Language of Cinema,” film critic André Bazin praised the potential of the cinematic image “not according to what it adds to reality but what of it reveals of it.” And,...

From The New Yorker: Nearly half a century ago, when Elvis Presley was filming “Harum Scarum” and “Help!” was on the charts, a moody, father-haunted, yet uncannily charismatic Shore rat named Bruce Springsteen was building a small reputation around central Jersey as a guitar player in a band called...

R. Kelly in his video for “Echo”, 2009 From The New Yorker: In his twenty-year exploration of the limits of the R. & B. sex ballad, R. Kelly has often toed the line between satiric and satyric. In his song “Sex Planet,” he made the obvious joke about Uranus;...